DIRECTIONS FOR THE ARTICLE SUMMARY/REVIEW
Write a three to four page (double spaced) summary of the article of your choice. A paper that is not three full pages will not be accepted.
Be sure to clarify the main points of the article.
See the Writing Rubric for a guide as to how the paper will be graded.
Please see the guides to writing an article review below.
Bring in a stapled hardcopy to class and submit to turn it in before class.
If the paper is late then 10 points wil be deducted for every day the worlk has not been turned in. If the paper is not submitted to Turnitin (for any reason) ten points will also be deducted from the paper grade.
HELPFUL TIPS FOR WRITING ARTICLE REVIEW:
Your review might be guided by the following questions:
| Objectives | What does the article set out to do? |
| Theory | Is there an explicit theoretical framework? If not, are there important theoretical assumptions? |
| Concepts | What are the central concepts? Are they clearly defined? |
| Argument | What is the central argument? Are there specific hypotheses? |
| Method | What methods are employed to test these? |
| Evidence | Is evidence provided? How adequate is it? |
| Values | Are value positions clear or are they implicit? |
| Literature | How does the work fit into the wider literature? |
| Contribution | How well does the work advance our knowledge of the subject? |
| Style | How clear is the author's language/style/expression? |
| Conclusion | A brief overall assessment. |
See this URL for a more thourough description: https://academicskills.anu.edu.au/node/492
Write a three to four page paper. Double spaced. Paper must be a full three pages. Submit to turn in in before class.
PAPER ONE ARTICLES
Linda Nochlin, "Gustave Courbet's Meeting: A Portrait of the Artist as a Wandering Jew" The Art Bulletin, Vol. 49, No. 3 (Sep., 1967), pp. 209-222
John F. Moffitt, "Art and Politics: An Underlying Pictorial - Political Topos in Courbet's Real Allegory" Artibus et Historiae, Vol. 8, No. 15 (1987), pp. 183-193
Therese Dolan, "Fringe Benefits: Manet's Olympia and her Shawl" The Art Bulletin, Vol. 97, no. 4 (December 2015), pp. 409 - 429.
Anthony Sutcliffe, "The Impressionists and Haussmann's Paris" French Cultural Studies June 1995
vol. 6 no. 17 197-219
Carol Armstrong, "Facturing Femininity: Manet's 'Before the Mirror'", October, vol 74 (Autumn, 1995), pp 74 - 104.
Tamar
Garb “Gender and Representation, ” in Modernity and Modernism:
French Painting in the Nineteenth Century, ed. Francis Frascina (Yale
University Press, 1993), 219 –
267 (lots of pictures)
Linda Nochlin, “Seurat’s La Grande Jatte: An Anti-Utopian Allegory”, in The Politics of Vision (1989)
Paul Smith, "Cezannes 'Primitive' Perspective, or the 'View from Everywhere'" in The Art Bulletin, vol. 95, no.1 (March 2013), pp 102-119.
“Whistler v. Ruskin: The Courts, the Public and Modern Art,” Stuart Culver, in The Administration of Aesthetics: Censorship, Political Criticism and the Public Sphere. Ed. Richard Burt.
Gill Perry, Fauvism Matisse “The Decorative, the Expressive and the Primitive” 46 – 62 , in Volume 2: Primitivism, Cubism, Abstraction: The Early Twentieth Century, volume 2, edsCharles Harrison, Francis Frascina, Gill Perry. New Haven : Yale University Press, in association with the Open University, 1993
Roger
Harold Benjamin, "The Decorative
Landscape, Fauvism, and the Arabesque of Observation," The Art Bulletin,
Vol. 75, No. 2 (Jun., 1993), pp. 295-316.
Gill Perry, Expressionism “The Expressive and the Expressionist” 62 – 82, in Volume 2: Primitivism, Cubism, Abstraction: The Early Twentieth Century, volume 2, edsCharles Harrison, Francis Frascina, Gill Perry. New Haven : Yale University Press, in association with the Open University, 1993
Sherwin Simmons, "Ernst Kirchner's Streetwalkers: Art, Luxury, and Immorality in Berlin, 1913-16, " The Art Bulletin, Vol. 82, No. 1 (Mar., 2000), pp. 117-148
Dora Apel, "'Heroes' and 'Whores': The Politics of Gender in Weimar Antiwar Imagery", The Art Bulletin, Vol. 79, No. 3. (Sep., 1997), pp. 366-384.
Cubism
“Realism and Ideology:
An Introduction to Semiotics and Cubism”
pp. 87 - 111
Cubism Steinberg, “The Philosophical Brothel”
Christine
Poggi, "Frames of Reference: 'Table' and
"Tableau" in Picaso's Collages and Constructions," Art Journal, Vol 7, no.
4 (Winter, 1988), pp. 311 -22.
Between the Wars vol 3 ‘This liberty and this order’: Art in France After the First World War 3 – 19 / Picasso Common Ground 64 – 76
Benjamin H. D. Buchloh, "Figures
of Authority, Ciphers of Regression: Notes on the Return of Representation
in
European Painting," October, Vol. 16, Art World Follies (Spring,
1981), pp. 39-68
Christine Poggi, "Folla/Follia: Futurism and the Crowd," Critical Inquiry, Vol. 28, No. 3 (Spring 2002), pp. 709-748
Barris, Roann, Russian Constructivist Architecture as an Urban Carnival: The Creation and Reception of a Utopian Narrative. Utopian Studies, Jun 01, 1999; Vol. 10, No. 1, p. 42-67
Hanne Bergius, "Dada as 'Buffoonery and Requiem at theSame Time'" in Post Impressionism to World War II, ed. Debbie Lewer, Blackwell Publishing.
Dawn Ades, "Surrealism: Fetishism's Job," in Post-Impressionism to World War II, ed. Debbie Laver.
Jonathan Harris, "Modernism and Culture in the USA 1930 - 60", 3 – 32 in Modernism in Dispute: Art Since the Forties, vol. 4
Jonathan Harris, "Modernism and Culture in the USA 1930 - 60", 42 – 74 in Modernism in Dispute: Art Since the Forties, vol. 4
pp. 42 - 47 / pp. 48 - 61 / pp. 62 - 73
Bradford Collins, "Dick Tracy and the Case of Warhol's Closet: A Psychoanalytic Detective Story," American Art, vol. 15, no. 3 (Autumn, 2001), 54 - 79.