William Blake

By Mona Badr

  • An influential figure of the Romantic period
  • Poet, Painter, visionary mystic, engraver, and philosopher.
  • Studied engraving, Gothic art, and printing
  • Born in London on November 28, 1757

Father was James,  a hosier; mother was Catherine Blake. At 14 he was apprenticed to engraver James Basire, and sketched the tombs at Westminster Abbey which in turn exposed him to a lot of Gothic styles which inspired his drawings later on. In 1722 Blake married Catherine Boucher who was illiterate; he was 25 at this time. Together they published a book called Songs of Innocence. He trained his wife as well as his younger brother Robert in drawing, painting, and engraving. In 1787 Robert became sick and died.

Blake was a very intelligent man; he studied the Bible, major works of literature, Milton, loved to read philosophy, theology, and art theory. He was always deeply concerned with revolutionary events along with their causes and effects. Because he had a profound grasp on human psychology he was seen as a explicit English writer. He pointed out the interrelationship of problems associated with cruelty, self-righteousness, sexual disturbance, social inequity, repression of energy by reason, and revolutionary violence--he identified these as symptoms instead of causes-- symptoms of the absence of love, the starvation of the sprit, and the fragmentation of both the individual personality and the human family.

Blake decided to do some experimenting with relief etching, a.k.a. "illuminated printing," one day in 1788. he used this make most of his books of poems. He worked directly on a copper plate with pens, brushes, and acid-resistant medium. He wrote the text backwards so that it would print right side up in normal order and he also drew the illustrations; following this he etched the plate in acid to eat away the untreated copper and leave the design standing In relief.

Chronology

1757 William Blake born in November 28 at 28 Broad Street, London, son of James Blake, a shopkeeper. Baptized December 11 in St. James's church, Piccadilly.

C. 1765-1767 sees a tree filled with angels on Peckham Rye

1772-1779 apprenticed to James Basire, engraver. Probably lives with Basire's family at 31 Great Queen Street, Lincoln's Inn Fields. In 1774, begins sketching memorials in Westminster Abbey for Basire

1779 October. Admitted as a student to the Royal Academy of Arts

1782  August 18. married to Catherine Boucher in St.. Mary's church, Battersea.

1780 June 6. Unwillingly caught in a mob storming Newgate prison during anti-Catholic riots

1783 printing of Poetical Sketches arranged by John Flaxman and the reverend and Mrs. Anthony Stephen Mathew.

1784  after his father's death in July, opens a print shop in partnership with James Parker, another former apprentice of James Basire

1787 death of his brother Robert, aged nineteen. Sees Robert's spirit rise to heaven, "clapping its hands for joy." Subsequently, Robert reveals method of illuminated printing to him in a dream

1788 publishes There Is No Natural Religion and All Religions Are One

1789  April 13. signs list of thirty-two resolutions passed at a founding convention of a new church based on the teachings of Emanuel Swedenborg. Engraves and publishes Songs of Innocence and Book of Thel. About this time writes, but does not engrave or publish, Tiriel.

1790  writing The Marriage of Heaven And Hell

1791 the French Revolution prepared for the press but not printed

1793  prospectus offers America, Visions of the Daughters of Albion, Thel, the Marriage of Heaven and Hell, Songs of Innocence, Songs of Experience

1794  publishes Songs of Innocence and of Experience, Europe, book of Urizen

1795  publishes book of Ahania, book of Los, and song of Los

1796  illustrates Edward young's night thoughts

1797  at work on Vala (subsequently the four Zoas)

1800 takes cottage at Felpham made available by William Hayley

1803 forced to evict a soldier named Scolfield from his garden at Felpham. Scolfield brings charges of sedition. Returns to London to 17 south Moulton street

1804 Blake tried and acquitted at Chichester. Starts Milton (published 1809-1810) and Jerusalem (published 1818-1820). Visits Truchsessian gallery

1808 edition of Robert Blair's Grave, illustrated by Blake, published

1809 exhibits paintings at 28 Broad Street and writes descriptive catalogue. Exhibition attacked by Robert hunt in the Examiner as "fresh proof of the alarming increase of the effects of insanity."

1815-1818 engraves for Wedgwood catalogues

1816 illustrates john Milton's L'Allegro and Il Penseroso

1821 moves to Fountain Court, near the Strand

1824 illustrates john Bunyan's Pilgrim's Progress

1826 publishes his illustrations of Dante's Divine Comedy until his death on August 12. He is buried in Bunhill fields burying ground, the dissenters' cemetery, but with the rites of the Church of England.

For Blake, where Gothic originated is not restricted to any one place or time, instead it shows the religion of Jesus is an eternal phenomenon. Revival of the gothic is a very important element in the creation of Blake's poetic and pictorial aesthetic. To Blake gothic art is an ageless representation of true art.

WORKS CITED

Damon, Foster S. William Blake: His Philosophy And Symbols. Gloucester, Mass.: Peter Smith, 1958

Essick, Robert N., and Donald Pearce, ed. Blake In His Time. Indiana University Press, 1978

Johnson,Mary Lynn., and John E. Grant, ed. Blake's Poetry And Designs. Georgia State University and The Univesrsity Of Iowa: W W Norton & Company, 1979

Lister, Raymond. The Paintings Of William Blake. Cambridge University Press, 1986Noon, Patrick. The Human Form Divine: William Blake from the Paul Mellon Collection. Yale University Press, 1997

Paananen, Victor N. William Blake. Michigan State University: Twayne,1977Roe, Albert S. Blake's Illustrations To The Divine Comedy. Greenwood Press Publishers,1977

Wicksteed,Joseph H. Blake's Vision Of The Book Of Job: With Reproductions Of The Illustrations. New York: Haskell, 1971

ONLINE SOURCES.

Welcome to Blake digital text project. http://virtual.park.uga.edu/~wblake/home1.html

William Blake, illustrations for Dante's "Inferno." http://www.bc.edu/bc_org/avp/cas/ashp/blakeand.htm

LEMAZE STUDIO. http://www.lemaze-studio.com/cgi-bin/store/imageFolio.cgi?direct=CANVAS_PRINTS/ARTISTS_B/BLAKE_William

Poems of William Blake. http://encyclopediaoftheself.com/classic_books_online/pblak10.htm

WILLIAM BLAKE. http://childoffortune.com/blake.toc.htm#WILLIAM%20BLAKE

ART OF EUROPE. http://www.artofeurope.com/blake/index.html

William Blake. http://www.online-literature.com/blake/

Poetry Exhibits. http://www.poets.org/poets/poets.cfm?45442B7C000C07040E

THE HANNIBAL LIBRARY. http://www.pentaone.com/hannibal/blake.shtml

William Blake art gallery. http://webhome.idirect.com/~ravenque/images/blake/blake_tn.html

Note: Text edited from student material by Dr. K. I have not been able to check the printed texts to see if materials were correctly cited but I did edit some obvious typos.