Notes to Books I & II of Paradise Lost
Terms: blank verse, art epic, epic simile, allusion, in medias res, catalog, hero, antagonist, soliloquy, colloquy, enjambment
The first 26 lines are 2 sentences—look at Milton’s terrific variations on syntax and his use of enjambment carefully. The thesis of the poem is expressed in ll. 22-26; this is the Puritan ethic of justification through faith.
| Book I | |
| 27 ff | Rhetorical questions; we already know the answers | 
| 36-44 | Satan’s hamartia | 
| 50 | What is the grammatical subject of this sentence? | 
| 53 | Look up confounded in the OED | 
| 62-63 | Hell is "darkness visible"—l. 66, the place where hope never comes. It is known as Pan-demonium | 
| 75 | Look at the understatement in this line | 
| 80 | Note the compression in Beelzebub’s vice-presidential speech | 
| 84-97 | Satan speaks; the sin of pride; he is implacable. This is how I was made and I won’t change. | 
| 88 | "Glorious Enterprise" was a term used (sarcastically) by Protestants to describe the Restoration of Charles II and the monarchy | 
| 105 ff | A very famous speech. Note the use of apposition. | 
| 125 | Look at the contrasts here | 
| 133 | Beelzebub implies God may have gotten lucky in the war against Lucifer | 
| 138 | Description of the rebels in Hell | 
| 156 | Satan’s response: resolve to go on rebelling | 
| 195 | Look at the epic similes in this physical description | 
| 211 | Comments by the narrator | 
| 240-41 | Probably a snide comment about Charles II | 
| 242 ff | A big speech—hail/hell probably rhymed in Milton’s English | 
| 285 | Reference to Galileo; Milton may have met him while he traveled in Italy | 
| 302 | Famous epic similes | 
| 330 | Call to the devils; images from the English Civil War | 
| 341 | Great line! | 
| 370 | Puritan view of the Cavalier High Church Anglicanism. Remember Lycidas. | 
| 381 | Uses the epic device of the catalog to introduce the devils | 
| 423 | Milton’s comments on angelic life. Twelve devils= 12 anti-apostles? | 
| 527 | Note how Milton undercuts Satan here | 
| 535ff | Description is drawn vividly from Charles II’s coronation procession (see Pepys’ Diary). 544 image is of army on the march. | 
| 571 | Look at the modulation here. | 
| 591 | Foreshadowing | 
| 598 | This line almost cost the poem the license to be published! | 
| 600 | Fallen Angel | 
| 645 | The plot thickens; the rumor of man (662) | 
| 666 | Significant number: the vision of the devils | 
| 768 | Undercuts devils by showing how they are diminished |