Notes to Books I & II of Paradise Lost
Terms: blank verse, art epic, epic simile, allusion, in medias res, catalog, hero, antagonist, soliloquy, colloquy, enjambment
The first 26 lines are 2 sentences—look at Milton’s terrific variations on syntax and his use of enjambment carefully. The thesis of the poem is expressed in ll. 22-26; this is the Puritan ethic of justification through faith.
Book I |
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|
27 ff |
Rhetorical questions; we already know the answers |
|
36-44 |
Satan’s hamartia |
|
50 |
What is the grammatical subject of this sentence? |
|
53 |
Look up confounded in the OED |
|
62-63 |
Hell is "darkness visible"—l. 66, the place where hope never comes. It is known as Pan-demonium |
|
75 |
Look at the understatement in this line |
|
80 |
Note the compression in Beelzebub’s vice-presidential speech |
|
84-97 |
Satan speaks; the sin of pride; he is implacable. This is how I was made and I won’t change. |
|
88 |
"Glorious Enterprise" was a term used (sarcastically) by Protestants to describe the Restoration of Charles II and the monarchy |
|
105 ff |
A very famous speech. Note the use of apposition. |
|
125 |
Look at the contrasts here |
|
133 |
Beelzebub implies God may have gotten lucky in the war against Lucifer |
|
138 |
Description of the rebels in Hell |
|
156 |
Satan’s response: resolve to go on rebelling |
|
195 |
Look at the epic similes in this physical description |
|
211 |
Comments by the narrator |
|
240-41 |
Probably a snide comment about Charles II |
|
242 ff |
A big speech—hail/hell probably rhymed in Milton’s English |
|
285 |
Reference to Galileo; Milton may have met him while he traveled in Italy |
|
302 |
Famous epic similes |
|
330 |
Call to the devils; images from the English Civil War |
|
341 |
Great line! |
|
370 |
Puritan view of the Cavalier High Church Anglicanism. Remember Lycidas. |
|
381 |
Uses the epic device of the catalog to introduce the devils |
|
423 |
Milton’s comments on angelic life. Twelve devils= 12 anti-apostles? |
|
527 |
Note how Milton undercuts Satan here |
|
535ff |
Description is drawn vividly from Charles II’s coronation procession (see Pepys’ Diary). 544 image is of army on the march. |
|
571 |
Look at the modulation here. |
|
591 |
Foreshadowing |
|
598 |
This line almost cost the poem the license to be published! |
|
600 |
Fallen Angel |
|
645 |
The plot thickens; the rumor of man (662) |
|
666 |
Significant number: the vision of the devils |
|
768 |
Undercuts devils by showing how they are diminished |